
For generations, master craftsmen from the hills of Campania and the valleys of Umbria have hand‑carved intricate nativity scenes that depict the birth of Jesus. These miniature worlds, known locally as presepe, often feature not only the holy family but also figures that reflect contemporary life—farmers, merchants, and occasionally well‑known personalities.
This year, a small but vocal group of artisans has begun to include a tiny statuette of former U.S. President Donald Trump among the shepherds and wise men. The decision stems from a mix of curiosity, market demand, and a desire to spark conversation. “Collectors worldwide are looking for something unexpected,” says Giuseppe Romano, a fourth‑generation carver from Naples. “Adding a recognizable modern figure makes the scene stand out on social media and in export markets.”
Each Trump figurine is carved from the same seasoned walnut or olive wood used for the rest of the set, then hand‑painted to capture his distinctive hairstyle and suit. Some artisans deliberately position the figure in humorous spots—such as standing beside the manger or peering over the shepherds’ flock—while others place him more neutrally, allowing viewers to draw their own conclusions.
The inclusion has sparked a lively debate. Fans of the former president applaud the nod to a “global icon,” while critics argue that the move politicizes a sacred tradition. Social media platforms are awash with images of the new nativity scenes, tagged with both #TrumpNativity and #Presepe2024, illustrating the polarized yet enthusiastic response.
Whether this trend will become a lasting feature of Italian presepe or fade as a novelty remains uncertain. What is clear, however, is that the artisans’ willingness to blend age‑old craftsmanship with contemporary culture ensures that the nativity scene continues to evolve, reflecting the world in which it is displayed.